Projects

Elsewhere hosts 50+ new projects a year: from artworks to research, from events to extravaganzas, from residency works to collaborative upfits.

Residency Elsewhere Living Museum & Artist Residency Residency Elsewhere Living Museum & Artist Residency

Interstitial | Abigail Rothman

Abigail Rothman (Jersey City, NJ) | November 2021

"Interstitial is an exploration of interstitial time and its manifestations informed by personal experience and self reflection. Participants were invited to contribute their own moments between moments, which could then be written out on handmade paper created from various materials throughout the collection (paper, wood, textile, hair, dust, sawdust, rainwater, dirt). Submissions are then folded and sealed with wax.

Elsewhere as an architectural structure becomes personified. The scars and tattoos litter the building serving as evidence of life lived in a building well loved and well hated. A history we can’t know entirely. This piece serves as an acknowledgement of the history a space holds and how it mingles with each personal history of every resident, intern, staff member and museum visitor. These physical responses then fill this metaphorical and physical void, allowing our personal experiences to mix with the history of this building, Greensboro and each other."

Read More
Residency Elsewhere Living Museum & Artist Residency Residency Elsewhere Living Museum & Artist Residency

Coffin of Curiosities | Richard Moreno

Richard Moreno (Miami, FL) | October 2021

The Coffin of Curiosities was inspired by the artist's body of work. Moreno's practice explores elements of diy culture, community, and mysticism through the lenses of Metal and Punk cultures. A coffin shaped bench was found in the third floor of the museum, and transformed into a musical instrument and cabinet of sorts with installed shelves and speakers. Stairs were built to raise the bench up and allow the audience to climb up and sit on it, as well as pull pieces from the museum collection to fill the shelves and stairs. Knives and paint markers were also provided for the residents and visitors of Elsewhere to deface and carve into the piece making it their own.In this piece Richard flips the normal process of viewership, allowing the audience to be both performer and artist, creating a space for experimentation, and interaction. Absolving ownership he hopes the piece to have multiple lives and iterations.

Read More